The Raveonettes- Feb. 25, 2008

*Print article to be posted soon* The Raveonettes make art rock cool again

Courtesy Photo / www.musica.pro Experimental rock: Danish alt-rockers Sharin Foo and Sune Rose Wagner.

By Lindsay Patton WCKS Reviewer A&E 2/24/2008 7:05:51 PM

Artist: The Raveonettes Album: “Lust Lust Lust” Label: Fierce Panda Records Release Date: Feb. 19, 2008 (U.S.) At first listen, The Raveonettes appear to be a musical act straight out of the experimental ‘60s. The Danish duo, consisting of Sune Rose Wagner and Sharin Foo, has been resurrecting classic art-rock since 2001. Their latest album, “Lust Lust Lust,” is their fourth studio album. The most obvious comparison to make with this album is to The Velvet Underground, which is listed as one of The Raveonettes’ influences. Like TVU, songs are simple, gritty and experimental. Foo even has the same monotone singing voice and blunt-cut blonde hair that made Nico distinct from the rest of the band, while Wagner bears a striking resemblance to Lou Reed. The unique aspect of “Lust Lust Lust” is the duo crafts of their songs so they transition into each other with ease. The album comes together to create a complete story or masterpiece, as opposed to a few fitting songs and a couple that may not fit so nicely into the mold. “Lust” starts out with the beautifully haunting, “Aly Walk With Me.” This is a song that could most likely be heard playing in the background of a privately owned record store. The guitars are extremely rough and may be ear splitting to some, but is justified by the monotony and simplicity of the verses. “Aly” transitions into “Lust,” which features a steady drum beat and strong guitar in the chorus. The songs transition so well that it feels like listening to “Aly” part two without sounding too similar. “Blush” is probably the most mainstream song of the bunch. It still has that rough, under-produced sound the duo is going for, but adds a catchy verse and chorus where Foo shows more vocal emotion. However, throughout the chorus it seems as though Foo is losing in an intense fight against the guitar. “You Want the Candy” brings back the sugary sounds and lyrics from ‘50s bubble gum pop bands, but still holds an edge. “Candy” gets a little bit repetitive, but still is a fun, reminiscent song. “Hallucinations” builds up to the point where the listener is anticipating the chorus. By the time the chorus arrives, it is a satisfying array of guitar and melody. Foo’s voice appears to be present only to guide the song toward the guitar. “Hallucinations” is a song that does not disappoint. Foo gets a little softer in “With My Eyes Closed,” which is a sweet song that plays like a lullaby. The guitars still hold their gritty, industrial sound, but allow Foo to take over and give it her own soft touch. The only thing missing on the album is more of Wagner. Unlike their previous albums, his vocals are barely featured. Foo does a good job on her own, but Foo and Wagner combined is what could make this album stand out. While “Lust Lust Lust” may not be for all listeners, it is an unexpected treat for the ones who appreciate the lost sound of experimental art-rock of the ‘60s. wcksreview@lanthorn.com